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The Art of Amiel Cartwright

You don't meet Amiel. You encounter him. He engages you fully. His boundless energy engulfs you the moment his smile lights up his face and his hand grabs yours in a strong warm handshake. His unorthodox appearance may unsettle the less adventurous. For Amiel Cartwright happens to be one of the most interesting people anyone is likely to meet. He is a painter, musician, actor, and businessman with accomplishments that no other Bahamian can lay claim to since Columbus deposited European 'culture' upon his homeland.

Amiel Cartwright is a very talented natural-born artist, who learned more about the fine-arts technique by studying with an exceptionally fine art teacher named Don Russell at the Academy of Fine Arts in the Bahamas and New York City. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

CARTWRIGHT HAS HAD HIS WORK EXHIBITED IN ...
1961	The Little Studio ~ Madison Ave.,New York City
1962	King's Inn Hotel ~ Freeport, Grand Bahamas
1963	Nassau ArtGallery ~ Bahamas
1965	The Artists of Chelsea Gallery ~ London, England
1969	Byda Gallery ~ Costa Brava, Spain
1970	The North American Institute of Studies ~ Barcelona, Spain
1971	The Palamos Gallery ~ Palamos, Spain
1971	Salon Mistral Gallery ~ Bagur, Spain
1971	The International Gallery ~ Erlandgen, Germany
1972	The International Exhibition Hall ~ Melia Don Pepi Hotel, Marbella, Spain
1972-1975	The Gallery for "Bahama Arts ~ Saabrucken, Germany
1980	Modulent ArtSalon ~ Hassleholm, Sweden
1981	Ekstrom's Art Salon ~ Vasteras, Sweden
1986	Spar-Bank ~ Vasteras, Sweden
1992	City Hall ~ Titusville, Florida
1992	Prime Bank ~ Titusville, Florida
1992	Group Exhibition ~ Miracle City Mall, Titusville, Florida
1992	Central Brevard Library ~ Cocoa, Florida

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Cartwright has been living and working all over Western Europe for over 35 years now. Today, home is Sweden with regular visits to Florida and the Bahamas, where he is taking care of his Bahamian-European art and music production companies. Amiel is also into creative music/film making -- "uniqueness". ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

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